Reihana’s practice is driven by collaborative work with communities, described as kanohi ki te kanohi (face to face).
Campbelltown Arts Centre presents Lisa Reihana’s first ever Australian survey showcasing three decades of video and photographic works. Cinemania will feature in Pursuit of Venus [infected], 2015—17, following its premiere at the 57th Venice Biennale, 2017. Almost ten years in the making, this work is a cinematic reimagining of the French scenic wallpaper Les Sauvages de la Mer Pacifique, 1804—1805, or The Voyages of Captain Cook, and includes scenes featuring Campbelltown’s local Dharawal community. Reihana has used twenty-first century audio-visual technology to animate the wallpaper with real and invented narratives.
This exhibition reveals the spectrum of Lisa’s practice – from early experimental works in digital video such as Wog Features, 1990 and Native Portraits n.19897, 1998, to futuristic films, dystopian photography and immersive environments, such as Fantastic Egg, 2002, PELT, 2009 and Tai Whetuki – House of Death Redux, 2015 – 16.
Images: Lisa Reihana, detail in Pursuit of Venus [infected], 2015–17, Ultra HD video, colour, sound, 64 min. Image courtesy of the artist and New Zealand at Venice. (3); Lisa Reihana, In Pursuit of Venus [Infected], 2015-17 Single channel video, 16k Ultra-HD video, colour, sound, 64 mins Supported by Creative New Zealand, New Zealand at Venice, Artprojects, Campbelltown Arts Centre, Park Road Post Installation view, Lisa Reihana | Cinemania, Campbelltown Arts Centre, 2018 (1)
Until March 29th in Sydney